Distortion inherently adds harmonic content, often resulting in unwanted harshness or muddy low-end rumble. A critical skill is using an EQ before the distortion to clean the signal that you're feeding in, and an EQ after the distortion to shape the resulting harmonics. A classic trick is to boost specific frequencies (e.g., the mids) with an EQ before the distortion to drive those frequencies harder, then cut them back with a post-distortion EQ for a focused, aggressive sound without unwanted harshness.
Adding glue to a mix, warming up vocals, making synths sound less digital. 2. Tube Distortion
Unlike emulation plugins, waveshapers utilize purely mathematical functions to distort the signal. These plugins offer visual interfaces where users can draw or manipulate the transfer curve in real-time. This allows for "cold" digital distortion, bit-crushing (reducing sample rate and bit depth to mimic early digital gear), and aliasing artifacts. This category is prominent in electronic music genres like IDM and Dubstep. Examples include CamelCrusher or Soundtoys’ Decapitator .
Originally, distortion was a hardware failure—overdriven tubes, slammed transformers, or ripped speaker cones. Now, plugins emulate these accidents with surgical precision. But the best distortion VSTs go further, offering modes that never existed in analog:
This is a purely digital form of distortion. Bitcrushers deliberately degrade the quality of the audio by reducing the bit depth (which adds quantization noise) or lowering the sample rate (which creates high-frequency "aliasing" artifacts). It delivers a gritty, retro, video-game-like aesthetic popular in electronic music, lo-fi, and industrial genres. Wavefolding and Waveshaping
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