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The purpose of these early songs was often tied to the narrative. However, a notable shift began in the 1990s with the rise of the modern "item number." Songs like "Choli Ke Peeche Kya Hai" from Khalnayak (1993) marked a turning point, sparking national debates about obscenity and the overt sexualization of women in mainstream media. This era saw the transition from narrative integration to a more formulaic approach where item songs became detached from the plot, existing solely as commercial breaks to attract audiences.

Conversely, some argue that performers in these songs are in positions of immense power and financial gain. Proponents of this view see the dancers not as passive victims, but as empowered performers who own their sexuality, navigating a patriarchal industry to reach the pinnacle of fame and success. They argue that "owning" the sensual performance is a form of agency.

: The movie follows a patriotic army officer (played by Mithun Chakraborty) who is transferred to a training camp but eventually takes over the nation's security when civilian police fail to maintain order .