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After a period of reliance on superstar-driven formulas in the late 1990s, the industry saw a "New Generation" movement starting in the early 2010s:

Films like Pathemari (2015) starring Mammootty, chronicle the life of a man who spends decades in Bahrain as a low-wage worker, returning home as a frail, wealthy corpse or a lonely old man. Varane Avashyamund (2020) touches upon the divorced, cosmopolitan loneliness of NRIs (Non-Resident Indians) in Dubai. Malayalam cinema captures the specific tragedy of the Gulf boy: the father who is a stranger to his own son, the gold jewelry that substitutes for physical presence, and the longing for a "settled life" that never quite arrives. After a period of reliance on superstar-driven formulas

The film had been a quiet storm. No car chases. No leering item numbers. Just a sixty-year-old farmer in Wayanad, played by the legendary Mohanlal, who discovers that the government land he’s tilled for forty years belongs to a dead man’s grandson. The climax wasn't a fight; it was a five-minute shot of the farmer sitting on his porch, drinking black tea, as a bureaucrat’s jeep disappears down a muddy road. The entire theatre had been silent. Then, applause. The film had been a quiet storm