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This paper explores the phenomenon of interconnected storytelling in Hindi cinema by examining four films that share direct or thematic links—be it through shared characters, universes, or socio-political commentary. Using examples such as the Gangs of Wasseypur duology, Sarkar trilogy, Munnabhai series, and Dhoom franchise, the paper argues that multi-film links enhance audience engagement, world-building, and narrative depth. The focus is on how “4-link” structures (four films tied by continuity, prequels/sequels, or spin-offs) create a cohesive cinematic ecosystem.

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