Before 1995, anime in the West was Pokémon and Sailor Moon —kids’ stuff. Then came Neon Genesis Evangelion . Hideaki Anno deconstructed the giant-robot genre, replacing heroism with existential dread, Freudian psychology, and religious iconography. It proved that "cartoons" could be as complex, depressing, and literary as any novel. This opened the floodgates for Ghost in the Shell (cyberpunk philosophy), Cowboy Bebop (genre-bending noir), and Studio Ghibli (hand-drawn humanism).
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