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Felton suggests using a transient shaper before an EQ. Cut the low end after the shaper, not before. This keeps the punch while clearing headroom for the bassline. This subtle workflow change is why his students get club-ready mixes while others get muddy thuds. thesecretsofdancemusicproductiondavidfeltonepub exclusive

Instead of boosting, focusing on surgical subtractive EQ to remove mud (roughly ) and leaving room for the lead instruments. What’s making waves right now, particularly in niche