Pay close attention to the Shaddah on the "Meem" in words like mim-ma and bi'idhnih , ensuring a clear two-beat nasal sound.
In the phrase man dhalladhi (مَنْ ذَا الَّذِي), the Nun Sakinah is followed by the letter Thal , requiring Ikhfa (concealment). The sound should be held in the nasal cavity for two counts, creating a smooth transition.
lāhu lā ilā ha illā huwal ḥayyul qayyūm , lā ta'khudhuhū sī natun wa lā nawm , lahū mā fīs samāwāti wa mā fīl**’arḍ**, man dhā lla dhī yashfa**‘u** ‘indahū illā bi’idhnih , ya‘lamu mā bayna aydīhim wa mā khalfahum, wa lā yuḥīṭūna bi shay’im min ‘ilmihī illā bimā shā’, wasi**‘a** kursiyyuhus samāwāti wal’arḍ , wa lā ya'ūduhū ḥifẓuhumā , wa huwal ‘aliyyul ‘aẓīm .
For the remaining 15 letters (ت, ث, ج, د, ذ, ز, س, ش, ص, ض, ط, ظ, ف, ق, ك), the Noon Sakinah or Tanween is hidden or pronounced in a way that is between Izhar and Idgham , with a Ghunnah .
Pay close attention to the Shaddah on the "Meem" in words like mim-ma and bi'idhnih , ensuring a clear two-beat nasal sound.
In the phrase man dhalladhi (مَنْ ذَا الَّذِي), the Nun Sakinah is followed by the letter Thal , requiring Ikhfa (concealment). The sound should be held in the nasal cavity for two counts, creating a smooth transition. ayatul kursi tajweed new
lāhu lā ilā ha illā huwal ḥayyul qayyūm , lā ta'khudhuhū sī natun wa lā nawm , lahū mā fīs samāwāti wa mā fīl**’arḍ**, man dhā lla dhī yashfa**‘u** ‘indahū illā bi’idhnih , ya‘lamu mā bayna aydīhim wa mā khalfahum, wa lā yuḥīṭūna bi shay’im min ‘ilmihī illā bimā shā’, wasi**‘a** kursiyyuhus samāwāti wal’arḍ , wa lā ya'ūduhū ḥifẓuhumā , wa huwal ‘aliyyul ‘aẓīm . Pay close attention to the Shaddah on the
For the remaining 15 letters (ت, ث, ج, د, ذ, ز, س, ش, ص, ض, ط, ظ, ف, ق, ك), the Noon Sakinah or Tanween is hidden or pronounced in a way that is between Izhar and Idgham , with a Ghunnah . lāhu lā ilā ha illā huwal ḥayyul qayyūm
