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In the pantheon of 1990s jazz, few debacles were as instantly canonical as Joshua Redman’s second album, Wish . Released in 1993, when the young saxophonist was just 24 years old, it didn’t just announce a talent; it solidified a legacy. Three decades later, the quest among audiophiles and jazz purists for the definitive listening experience often ends with the same digital holy grail: .

A hard-swinging tribute to Metheny, this track lets Billy Higgins truly drive the bus. His ride cymbal work is a masterclass in jazz timekeeping, crisp and shimmering without ever overpowering the soloists. 5. "Moose the Mooche" (Charlie Parker)

Following his acclaimed, self-titled debut in 1993, the young saxophonist Joshua Redman faced a unique challenge: how to follow up a successful first album without repeating himself. The answer came in the form of an all-star, piano-less quartet that remains one of the most impressive lineups of the decade. For his second album, Redman enlisted the talents of (guitar), Charlie Haden (bass), and Billy Higgins (drums).

Redman is noted for his jazz interpretations of rock and R&B, such as Stevie Wonder's "Make Sure You're Sure" and Eric Clapton’s "Tears in Heaven" . Critics describe his take on "Tears in Heaven" as "smooth jazz with substance".

saw Redman exploring "Ornette-thology," a nod to the avant-garde influence of Ornette Coleman. This is evident from the opening track, Coleman's "Turnaround," which establishes a bold, interactive dynamic that persists throughout the record. Apple Music

Critically acclaimed upon release, the album solidified Redman's stature as a leading voice in mainstream jazz while demonstrating he was not a "purist" or a "neo-conservative". Recorded largely in the studio but featuring two live tracks from the Village Vanguard , Wish captured a unique "collective identity" that remains a high point in 1990s jazz. For listeners today, the album—especially in a lossless format—reveals the intricate tonal details of Redman's tenor saxophone and the legendary rhythm section's responsive, "breathing" interplay.

Redman’s tenor saxophone tone is notoriously rich. High-resolution FLAC captures the breathiness, the subtle vibrato, and the dynamic shifts from smooth melodic lines to fiery, passionate outbursts. C. The Spatial Separation