A close-up of a woman’s lower back. A red silk thread runs through a needle. The needle is piercing a tiny fold of skin on her hip. The thread loops down to a button sewn onto her thigh.

While not a single video, this compilation serves as the perfect entry point. Released by Taschen in 2008, this DVD collects excerpts from the entire series up to that point. It is the best demonstration of how Stuart uses video to animate his photography, creating a "documentary-like" atmosphere around his artistic process. For anyone new to Roy Stuart, this is the essential starting point.

Created during the global lockdowns of 2020, Glimpse 23 is a fascinating document of resilience and creativity in the face of isolation. The film opens with two young girls returning home and meeting a stranger lost in a socially-distanced Paris, exploring the difficult sexual dynamics of the era. Even under the strictures of confinement, Stuart channeled the zeitgeist to address contemporary questions of touch, longing, and human connection, proving that his art is not just about sex, but about the very nature of humanity.

While the series spans many volumes, several recurring elements define the acclaimed cinematography found throughout these entries:

For cinephiles looking to explore the exact technical footprint of this underground art release, the IMDb Technical Specifications for Glimpse 10 outline its distinct European arthouse production style: Roy Stuart Release Year: 2009 Running Time: 145 minutes (2 hours, 25 minutes) Country of Origin: France / USA Language: English / French Format: Digital Video (DV), Color Summary: Where to Start with Roy Stuart

The series originated in 1990 as an independent artistic project. Spanning over three decades, the catalog has expanded significantly, including works like Glimpse 22 and Glimpse 31 . Volume 10 is viewed as a bridge in this timeline, marking the transition from the raw, tape-based aesthetic of the 1990s to the higher-definition, digitally refined visual style seen in later productions.